Shawshank Essay

The Shawshank Redemption

The Shawshank Redemption described by Outspoken Darabont in 1994, is a story about Andy Dufrene, a man accused of murdering his better half and her lover and sentenced to two consecutive life sentences. He is shipped to Shawshank Maximum Security Penitentiary in Maine. He discovers his way to interior peace and holds on great expect in the midst of the terror in the prison plan. It is a history of hope, friendship, and perseverance. The film can be an whodunit about holding on to a personal worth in the face of dire hardship. The opening field ‘Welcome to Shawshank' conveys the important concept of the loss of desire. The Director uses a variety of techniques to present this theme, such as lamps, camera sides, confront in color and dialogue. An essential technique the Director, Outspoken Darabont uses in this series of Andy's arrival for Shawshank is lighting. Darabont uses it to show the viewer pessimism when the males are standing in a range while becoming addressed simply by head expert Hudley. The moment Darabont utilized this technique of lighting the viewer can easily realize the losing of identity as the men's confronts are shadowed. Andy gets to Shawshank in a bus. The boys exit the bus and walk in a single file through the main entry towards the entrance of the prison. Red and three various other prisoners are noticed leaning up against the prison wall membrane, and they are speaking about which in the new ‘fish' are going to ‘break' first. An essential technique the director uses is that of color. Darabont uses this technique showing the audience the men's lack of identity if the men's consistent is shown to be the same color as the prisons wall structure, implying that the men have turn into a part of the prison itself. The application of this technique of color makes the audience understand the lack of wish because the men are no longer free, it's practically as if they have been swallowed up by the prison itself. With the use of this technique, Darabont wants the viewer to appreciate that there is no ...



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